👁️Yes, I see you are a really talented video and digital artist and your work always looks very good. But unfortunately I have to comment on a few things about your sales offers here and about video loops in general, and I am a free person and can express myself and my attitude if you allow me:
🙉💡💡💡💡💡📣
As mentioned, this is not actually an advertising platform for sellers, so you appear here at least 90% of the time.
🦨💸💵 💶 💷 In my opinion, video loops should not be distributed in such large quantities for sale or for free to anyone and everyone. This further removes the 💴 financial basis for real VJs and video artists. The enormously diverse and relatively inexpensive software packages, which now mean that there are a dime a dozen VJs, are a serious problem that VJs and video artists can hardly exist as such full-time. This is because the engagement and performance opportunities are no longer in proportion to the number of so-called VJs and you often only receive ridiculous fees in clubs or at festivals etc. It's often said there today: "Yes, if you need 2,000 to 3,000, I have to tell you that young art students and others are rushing into my place to work here for free, so I can give you 100 to 150. - but everything else is out of the question, and this is only because I see that you are a real top professional and artist and have a lot of experience!!"
If you now open the door to music DJs with massiv a lot of video loop packages, then there is no longer any need for VJs and video artists in clubs, at festivals, etc. and club owners then demand that music DJs also bring visuals with them or in their sets must have been included. What is cost-effective for the organizers and is easy thanks to people like you to stuff the music DJs with V-loops.
📣You know for yourself what it takes to practice VJing at a reasonable level: some knowledge, training and know-how, hardware and software investments and, above all, a lot of time and passion to prepare shows and their content. So you're not doing the VJ community any favors with your mass production of VJ loops, you're just trying to fill your own pockets.
It's not for nothing that I take a close look at who wants my free arena plugins and if I see that it's a pure music DJ, he won't receive my DL link - then he or she will receive no email response or a negative one!!
If it's a music producer, this can look different, because a live set has at least slightly different demands, and someone like that might later be ready to work with real-time video soft, 3D & 2D soft for their own content creation and video art implementation, and that's me last one who stands in the way of others who show their will. But to be honest, I don't find your intentions, which are more focused on your well-being, very ethical and again, in my eyes, you are going against the interests of this community here. But everyone can and should speak up for themselves here. I would also be interested in your opinion. And in order to present all of this here, I have to be little more than an approved platform user or community member and I won't let you shut me up and will continue to post comments like this if necessary!!!!!🙊🙊🙉🙈
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X 3. 🍩 &&& I would also like to add one more thing: VJ loops are a thing of the past for real up to date VideoArtists, memory hogs, star and inflexible as well as format-related and therefore only lossy upscaleable.
💡🌟It depends on the software you use and I can probably say with regard to Resolume Arena that plugins and especially shader-based ones represent the real & actualy future. If programmed well, these are flexible with some to many real-time controllable options (setting options) and upscalable like vector graphics in contrast to bitmap images, and!! Where a 4K V-Loop series uses up to 12GB of disk space, a single plugin of 8MB in size can create 10-25 individual V-Loops like a series thanks to its options (inputs) flexibility. Last but not least, such options, if well programmed, can also be linked directly to the music and synchronized with precisly. Viewed this way, the advantages are simply impressive. Unfortunately, even here we advise against 4K LiveVJing if you love your GPU and Resolume can only process a certain amount of data, you have complex compositions with 5-12 or more layers each, various effects on the plugins (generators) and additional effects on the Layers are beyond the capacity of any current real-time software; grafic cards (GPUs) that can handle this have not yet been born. Of course, you can combine extremely powerful GPUs, but as mentioned, this costs a lot more money than the average VJ can afford. It's not for nothing that entire tracks with equipment roll up for major events.
🍩In addition, my point of view is that as soon as you work with LED walls it is undoubtedly pointless to process 4K internally in live video. This certainly makes sense for an Aushane matrix, but it is about completely different things. So save your money and above all protect the environment and don't buy 4K hardware equipment for the time being, a good RTX 4080/90 is something else, it can help to ensure the maximization of simultaneous tracks and effects and provide important reserves in warm environments as well as in general If U show doesn't crash in the middle of the night, the clubowner/clienty and the crowd would be happy with U and U great RTX.
So feel free to get these free V-loops, it can't hurt,
💡💡💡📣otherwise take a look at my website and check out my 78 free Resolume Arena plugins based on fragment shaders: 50 Shade's of ISF for resolume
⚛️☯️☮️⚛️
However, the absolute future here is Vulkan, where completely new & different, faster and more efficient shader formats and shader languages will bring 4K real-time video within affordable reach when Resolume is perhaps converted/adapted to Vulkan in 1001 years🚾🅿️.
For further actions, you may consider blocking this person and/or reporting abuse
👁️Yes, I see you are a really talented video and digital artist and your work always looks very good. But unfortunately I have to comment on a few things about your sales offers here and about video loops in general, and I am a free person and can express myself and my attitude if you allow me:
🙉💡💡💡💡💡📣
As mentioned, this is not actually an advertising platform for sellers, so you appear here at least 90% of the time.
🦨💸💵 💶 💷 In my opinion, video loops should not be distributed in such large quantities for sale or for free to anyone and everyone. This further removes the 💴 financial basis for real VJs and video artists. The enormously diverse and relatively inexpensive software packages, which now mean that there are a dime a dozen VJs, are a serious problem that VJs and video artists can hardly exist as such full-time. This is because the engagement and performance opportunities are no longer in proportion to the number of so-called VJs and you often only receive ridiculous fees in clubs or at festivals etc. It's often said there today: "Yes, if you need 2,000 to 3,000, I have to tell you that young art students and others are rushing into my place to work here for free, so I can give you 100 to 150. - but everything else is out of the question, and this is only because I see that you are a real top professional and artist and have a lot of experience!!"
If you now open the door to music DJs with massiv a lot of video loop packages, then there is no longer any need for VJs and video artists in clubs, at festivals, etc. and club owners then demand that music DJs also bring visuals with them or in their sets must have been included. What is cost-effective for the organizers and is easy thanks to people like you to stuff the music DJs with V-loops.
📣You know for yourself what it takes to practice VJing at a reasonable level: some knowledge, training and know-how, hardware and software investments and, above all, a lot of time and passion to prepare shows and their content. So you're not doing the VJ community any favors with your mass production of VJ loops, you're just trying to fill your own pockets.
It's not for nothing that I take a close look at who wants my free arena plugins and if I see that it's a pure music DJ, he won't receive my DL link - then he or she will receive no email response or a negative one!!
If it's a music producer, this can look different, because a live set has at least slightly different demands, and someone like that might later be ready to work with real-time video soft, 3D & 2D soft for their own content creation and video art implementation, and that's me last one who stands in the way of others who show their will. But to be honest, I don't find your intentions, which are more focused on your well-being, very ethical and again, in my eyes, you are going against the interests of this community here. But everyone can and should speak up for themselves here. I would also be interested in your opinion. And in order to present all of this here, I have to be little more than an approved platform user or community member and I won't let you shut me up and will continue to post comments like this if necessary!!!!!🙊🙊🙉🙈
&
&
X 3. 🍩 &&& I would also like to add one more thing: VJ loops are a thing of the past for real up to date VideoArtists, memory hogs, star and inflexible as well as format-related and therefore only lossy upscaleable.
💡🌟It depends on the software you use and I can probably say with regard to Resolume Arena that plugins and especially shader-based ones represent the real & actualy future. If programmed well, these are flexible with some to many real-time controllable options (setting options) and upscalable like vector graphics in contrast to bitmap images, and!! Where a 4K V-Loop series uses up to 12GB of disk space, a single plugin of 8MB in size can create 10-25 individual V-Loops like a series thanks to its options (inputs) flexibility. Last but not least, such options, if well programmed, can also be linked directly to the music and synchronized with precisly. Viewed this way, the advantages are simply impressive. Unfortunately, even here we advise against 4K LiveVJing if you love your GPU and Resolume can only process a certain amount of data, you have complex compositions with 5-12 or more layers each, various effects on the plugins (generators) and additional effects on the Layers are beyond the capacity of any current real-time software; grafic cards (GPUs) that can handle this have not yet been born. Of course, you can combine extremely powerful GPUs, but as mentioned, this costs a lot more money than the average VJ can afford. It's not for nothing that entire tracks with equipment roll up for major events.
🍩In addition, my point of view is that as soon as you work with LED walls it is undoubtedly pointless to process 4K internally in live video. This certainly makes sense for an Aushane matrix, but it is about completely different things. So save your money and above all protect the environment and don't buy 4K hardware equipment for the time being, a good RTX 4080/90 is something else, it can help to ensure the maximization of simultaneous tracks and effects and provide important reserves in warm environments as well as in general If U show doesn't crash in the middle of the night, the clubowner/clienty and the crowd would be happy with U and U great RTX.
So feel free to get these free V-loops, it can't hurt,
💡💡💡📣otherwise take a look at my website and check out my 78 free Resolume Arena plugins based on fragment shaders: 50 Shade's of ISF for resolume
⚛️☯️☮️⚛️
However, the absolute future here is Vulkan, where completely new & different, faster and more efficient shader formats and shader languages will bring 4K real-time video within affordable reach when Resolume is perhaps converted/adapted to Vulkan in 1001 years🚾🅿️.