That's funny. 😆😂🤣🤣
The thing sounds or beter quitsch's like my first monophonic synth that I rescued from the trash on the street when I was 16tin, some old Yamaha thing. I soon put it in the corner and got myself a Juno 107, which had really fat, warm sounds and not this DX7 charts-whining🤧🥶🤮. The Juno was a real ginoSotchio or Giorgio-like systhesizer.
After that, I soon got myself a Korg M1 and borrowed an old MSQ20 so that I could really feel at home in the Korg heaven.
I was still messing around with C-Lab on my Atari and the Steinberg crack was also useful now and then.
& Now, the M1 is still standing around as the only relic from my home recording days. You can still see this first music workstation in the world (without the overexpensiv Farlight) on stages to day, it's a good device and was pretty expensive back then.
So - hmm?
OK, but now thanks! I'm not going to start with it again, so thank you match or a bit moo less, and bye forever ... .. .
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That's funny. 😆😂🤣🤣
The thing sounds or beter quitsch's like my first monophonic synth that I rescued from the trash on the street when I was 16tin, some old Yamaha thing. I soon put it in the corner and got myself a Juno 107, which had really fat, warm sounds and not this DX7 charts-whining🤧🥶🤮. The Juno was a real ginoSotchio or Giorgio-like systhesizer.
After that, I soon got myself a Korg M1 and borrowed an old MSQ20 so that I could really feel at home in the Korg heaven.
I was still messing around with C-Lab on my Atari and the Steinberg crack was also useful now and then.
& Now, the M1 is still standing around as the only relic from my home recording days. You can still see this first music workstation in the world (without the overexpensiv Farlight) on stages to day, it's a good device and was pretty expensive back then.
So - hmm?
OK, but now thanks! I'm not going to start with it again, so thank you match or a bit moo less, and bye forever ... .. .